In Session 2 of the TED Fellows talks, we learn about the FBI’s use of informants in counterterrorism operations, how giant pouched rats are helping to save lives, laser-delivered HIV drugs, how Silicon Valley companies are working to protect our privacy — and that’s not to mention the piano solo, percussive dance and opera!
Sri Lankan opera singer Tharanga Goonetilleke opens Session 2 with Magda’s aria from the opera La Rondine by Puccini, accompanied on piano by Tina Chang. “The character sings of true and passionate love that is better than all the riches of the world,” says Goonetilleke.
“The FBI is responsible for more terrorism plots in the United States than any other terrorist organization” begins investigative journalist Trevor Aaronson. After 9/11, the FBI were instructed to find terrorists before they strike — and this pursuit of terror has consumed the agency to the tune of $3.3 billion a year. While there have been only a handful of successful domestic terror attacks, the FBI boasts that it’s foiled dozens of terrorism plots in their undercover sting operations, and have arrested more than 175 people in counterterrorism stings. According to Aaronson, many of these are orchestrated by the FBI itself, who pay informants $100,000 or more to seek out and “inform” on often-impoverished and mentally ill Muslim-Americans. The FBI then provide the suspects with all they need to execute a terrorist plot — weapons, a martyrdom video, and money — which are then stopped, just in time, by the FBI. Until now, Aaronson has drawn his startling conclusions from years of poring over domestic terrorism prosecution files. But in an article published this morning in Intercept, Aaronson has revealed the transcript of a secret recording of FBI agents, proving they knew would-be terror suspect Sami Osmakac — who has schizoaffective disorder and was lured by an undercover FBI agent into plotting a bombing — was incapable of the crime. Osmakac was subsequently arrested, convicted, and sentenced to 40 years in prison, an unwitting victim of what Aaronson calls the theater of national security.
Meet David Lang’s hero John Dobson, the amateur astronomer who created the Dobsonian telescope and was a pioneer in the realm of amateur science who spent his life teaching people the joy of constructing their own telescopes. It’s been hard for other scientific disciplines to replicate amateur activity, says Lang. But now, low-cost, accessible tools like cheap sensors, the rise of open standards, and the ability for fellow enthusiasts to connect over the internet is creating what he calls the era of Connected Exploration. As the tools for science, conservation and innovation have gotten more accessible and powerful, communities in Borneo are using drones to monitor their forests; in Japan, makers and hackers built Geiger counters to monitor the impact of Fukushima in real time; DIY biologists are competing with each other to design engineered microbes. In this context, science and discovery is not about efficiency and convenience, but wonder and adventure. One thing is clear, says Lang, ”When you give people the tools to ask questions, they will surprise you with what they ask and what they discover.”
Choreographer Camille A. Brown performs a passionate and percussive solo dance excerpted from BLACK GIRL: Linguistic Play, accompanied on piano by Scott Patterson. “This dance reveals the complexity of carving out a self-defined identity as a black female in urban American culture,” says Brown.